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In with a roar, out with a sigh: The Hush at the Shed, National Theatre

Repost: with One Stop Arts closing, I migrated this review here. With a stunningly creative team at the helm, The Hush should have been an exultant triumph of theatre. Created by master electronic sound artist Matthew Herbert, National Theatre associate director and writer Ben Power and Foley artists Barnaby Smyth and Ruth Sullivan, The Hush included … Continue reading

All / Featured / Reviews

In with a roar, out with a sigh: The Hush at the Shed, National Theatre

Repost: with One Stop Arts closing, I migrated this review here. With a stunningly creative team at the helm, The Hush should have been an exultant triumph of theatre. Created by master electronic sound artist Matthew Herbert, National Theatre associate director and writer Ben Power and Foley artists Barnaby Smyth and Ruth Sullivan, The Hush included … Continue reading

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Gazing at The National

I adore the National Theatre.  There’s always something exciting going on: plays, photography exhibitions, jazz in the foyer.  For me it represents the range of possibilities of creative endeavour.  Every time I walk in or even just see it from across the river I feel more awake, like something is about to begin.  I often … Continue reading

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Connections at the National Theatre

It was a privilege to attend the closing night of Connections at the National Theatre on Monday.  The first performance, “What are they Like?,” was a sweetly evocative look at the relationships between parents and children, with young actors dressed as parents recounting advice and stories about their parenting techniques.  It was in turns funny, moving, frightening and touching … Continue reading